Lately I have been obsessed with perfecting my poppy print, and I finally have one that would look great on some products. Presenting my poppy print tote bags! It’s been an ongoing process, with different versions of the poppy print. I love poppies. They are such a bold simple flower. This pattern evolved from tracing some photos that I had in procreate. I tried to make it look more painterly at first, but for this one, I’ve settled on a minimalist, Marimekko inspired pattern. Marimekko Unikko is the iconic poppy pattern first introduced in 1964 by the designer, Maija Isola. She actually designed it out of defiance, as the company founder hated floral prints. It went on to define the company and you can find many products with this print. Read more
One of my favorite art exercises is creating a digital floral collage. It’s something I can always get into if I am feeling a little less than inspired, or short on time. I have a couple of albums of flowers photos, some my own, some from creative commons images. It’s a very playful exercise. I basically just start throwing the images onto a procreate file and start manipulating them. Often I will process the heck out of them using other apps like picsart, and decim8. Sometimes it’s just a throwaway process, kind of like tooling around in your sketchbook to get the juices flowing. Other times I have made some really interesting images. Here is one of my favorites:Read more
As promised, I am blogging about Alex Katz flower paintings, and attempting to copy his technique. Lately I have been obsessed with his style. He is so economical in what he shows you. He pares the lines and colors down to only what is necessary to make his case that these are some flowers. Why does it work so well? I’m not sure but I can say that copying his technique is not as easy as it looks.
For my attempt at copying his process, I started out with some early evening photos. As you can see, you can start with a rather mundane photo and then fool with it till you get more information out of it. Read more
Abstract art is so alluring, but also daunting. The greats make it look easy (Diebenkorn, Rothko, Mitchell), but the reality is that it is so much easier to make a lot of crap. Yet I keep getting drawn to making it. Not sure why.
Lately I’ve been making these digitized brushstroke collages. It started out about six years ago when I discovered James Nares. When I find art that I really like, the impulse is to replicate it. What is the process? How did they do it? It’s like solving a puzzle. Read more