This week I’ve been working on some vector brushstroke art. I have been taking the digitized brushstroke collages and bringing them to another level by vectorizing the brushstrokes.
Abstract art is so alluring, but also daunting. The greats make it look easy (Diebenkorn, Rothko, Mitchell), but the reality is that it is so much easier to make a lot of crap. Yet I keep getting drawn to making it. Not sure why.
Lately I’ve been making these digitized brushstroke collages. It started out about six years ago when I discovered James Nares. When I find art that I really like, the impulse is to replicate it. What is the process? How did they do it? It’s like solving a puzzle. Read more
Once again I’m revisiting the process I use for creating generative art. I recently came across this comprehensive blog post on generative art from Artnome, and it’s really inspired me to look back at how my process has evolved, and why I am drawn to this type of image making.
On to the process. I start off with a simple object. In this case I photographed some ribbons, and made them into PNGs with a transparent background. I use the procreate app for all of my processing and design.
I’ve recently been inspired to start adding some printable art to my etsy store. It’s been a slow going process (like – really slow – I started in 2018!) I changed my process to start creating digital art that can be printed at higher resolutions, and I thought this would be great for the shop. The above Fuschia Gladiolus image is for sale and can be printed as big as 28 by 14 inches at 300 dpi. Here’s a sample of what it might look like as wall art: Read more