Trying something new this week: I’m taking some of the generative art prints I’ve made over the years and getting them ready to put in my shop. I’ve written a bit about my generative art process, which is not purely “generative,” in that it’s not created directly from code. Instead I use a sort of brute force method, where I employ algorithmic based art apps to generate many iterations of an image. I then choose the best ones out of hundreds of choices. On my to do list is to learn how to use processing, so I can code my own art. Read more
Do you have an inner art critic? How do you go about silencing him/her/them?
Julia Cameron, who wrote the definitive book on maintaining creativity, “The Artist’s Way,” calls the inner art critic “the Censor,” and suggests visualizing him in a funny way to take away his power. The point is that the inner critic does not speak “truth,” instead he just blathers on and on with useless criticism. I like to picture Anton Ego, the food critic from Ratatouille:
Abstract art is so alluring, but also daunting. The greats make it look easy (Diebenkorn, Rothko, Mitchell), but the reality is that it is so much easier to make a lot of crap. Yet I keep getting drawn to making it. Not sure why.
Lately I’ve been making these digitized brushstroke collages. It started out about six years ago when I discovered James Nares. When I find art that I really like, the impulse is to replicate it. What is the process? How did they do it? It’s like solving a puzzle. Read more