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Generative Art Prints

Generative Art NFT

Trying something new this week: I’m taking some of the generative art prints I’ve made over the years and getting them ready to put in my shop. I’ve written a bit about my generative art process, which is not purely “generative,” in that it’s not created directly from code. Instead I use a sort of brute force method, where I employ algorithmic based art apps to generate many iterations of an image. I then choose the best ones out of hundreds of choices. On my to do list is to learn how to use processing, so I can code my own art. Read more

Silencing the Inner Art Critic

Do you have an inner art critic? How do you go about silencing him/her/them?

Julia Cameron, who wrote the definitive book on maintaining creativity, “The Artist’s Way,” calls the inner art critic “the Censor,” and suggests visualizing him in a funny way to take away his power. The point is that the inner critic does not speak “truth,” instead he just blathers on and on with useless criticism. I like to picture Anton Ego, the food critic from Ratatouille:

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Digitized Brushstroke Collages

Abstract art is so alluring, but also daunting. The greats make it look easy (Diebenkorn, Rothko, Mitchell), but the reality is that it is so much easier to make a lot of crap. Yet I keep getting drawn to making it. Not sure why.

Lately I’ve been making these digitized brushstroke collages. It started out about six years ago when I discovered James Nares. When I find art that I really like, the impulse is to replicate it. What is the process? How did they do it? It’s like solving a puzzle. Read more