It’s been over nine months since I wrote my first AI Art post. So much has advanced in the world of AI Art in such a short time. I vacillate between being fascinated by what it can do, and horrified by how addictive it is. It is unsettling to think that certain kinds of art-making might actually become obsolete. For example, I learned from the wombo discord that you can now make almost perfect seamless pattern tiles! The ones below are not quite seamless, but I am sure that at the rate AI art is advancing, the ability to make flawlessly repeating pattern tiles will soon be here. Read more
Do you have an inner art critic? How do you go about silencing him/her/them?
Julia Cameron, who wrote the definitive book on maintaining creativity, “The Artist’s Way,” calls the inner art critic “the Censor,” and suggests visualizing him in a funny way to take away his power. The point is that the inner critic does not speak “truth,” instead he just blathers on and on with useless criticism. I like to picture Anton Ego, the food critic from Ratatouille:
As promised, I am blogging about Alex Katz flower paintings, and attempting to copy his technique. Lately I have been obsessed with his style. He is so economical in what he shows you. He pares the lines and colors down to only what is necessary to make his case that these are some flowers. Why does it work so well? I’m not sure but I can say that copying his technique is not as easy as it looks.
For my attempt at copying his process, I started out with some early evening photos. As you can see, you can start with a rather mundane photo and then fool with it till you get more information out of it. Read more
I’ve been striving to publish more blog posts lately and as a result, I am starting to find a common thread in the way I like to work. One of my go-to techniques for getting started is copying an artist’s process. I take an artist and try to figure out how they made the thing. Recent examples include James Nares and Yugo Hortal. In my sketchbook, I am continually trying to copy the great textile artist, Anni Albers.
But then the useless part of my brain chimes in with the notion that this may be “derivative.” Artists are supposed to be original, right? Read more
Abstract art is so alluring, but also daunting. The greats make it look easy (Diebenkorn, Rothko, Mitchell), but the reality is that it is so much easier to make a lot of crap. Yet I keep getting drawn to making it. Not sure why.
Lately I’ve been making these digitized brushstroke collages. It started out about six years ago when I discovered James Nares. When I find art that I really like, the impulse is to replicate it. What is the process? How did they do it? It’s like solving a puzzle. Read more