This is a vectorized lizard drawing based on a photo I took in the Bahamas. The only thing special about this is that I quickly painted a background using the layers app on my iphone, and added it to the sketch. I like the way it roughens up the finished product.
This is an exercise I did to learn to use the gradient mesh tool in illustrator. It was kind of self indulgent really, as it doesn’t do a thing to advance my drawing skills. It’s just a matter of tracing some shapes from a photo and then mapping them out with gradient meshes. The end result is kind of fun but not really my style – too air-brush-y for me. But there’s something really fun about doing it. Here’s a screen shot of what the “mesh” looks like:
It takes a bit of practice to get the gradients down the way you want them but I think it’s worth it to learn. This is a powerful tool in illustrator and some use it to make super photo-realistic art.
Here is my original photo. It’s one of my favorites, taken in 2010 at home using a lightbox:
Just a simple illustration of some candy corn, done more for practice than anything else. I’m trying to concentrate on 2 things these days: Getting better at illustrator, and finishing projects. I’m starting to understand that the quality of line is the single most important thing in vector graphics and the only way to acheive that is by practice. Also the overall palette is something that requires a lot of planning and strategy. Just using the eyedropper tools to randomly pick colors from the reference photo is not going to cut it.
I think this would look cute as a note card or a tee-shirt eventually, when the season is right.
This illustration is a vectorized kimono, taken from a photo of a kimono from Japan I’ve had since childhood. Basically I was just trying to work on my illustrator skills, trying to get better with the pen tool. I also used the posterize feature in photoshop until I got the shading I wanted. A simple drawing and yet it seems kind of ghostly the way it hangs there, empty.
Taken from a photo in Ocean City, New Jersey. I’ve always loved this house. It is a cute little example of Mid Century Modern Architecture, and right on the Ocean. It reminds me of a birthday cake.
This illustration is based on a photo taken at the National Arboretum in 2007. It’s interesting, I went there yesterday and there was that same tree. It seemed like it was exactly the same. And yet it is alive and growing like any other tree. The National Arboretum has quite an amazing bonsai collection in a really beautiful setting. And as far as an artistic subject, these tiny trees just lend themselves to creating something wonderful.
These are some vector drawings of Eames chairs. Just for practice really. I love looking at Mid Century Modern furniture, and there’s something about the structure of it that lends itself to vector drawing.
There’s a great documentary on Charles and Ray Eames, called the Architect and the Painter. Among other things, it tells the story of how they came to make these famous molded plywood chairs. I like how Ray Eames is initially introduced in the film as “a painter who rarely painted.” Sounds like something I can relate to.
This is a vector drawing of a marshmallow sofa. I found this is my illustrator folder and had completely forgotten about it. I think at the time I was just practicing drawing furniture, and the mid century aesthetic has always appealed to me.
The sofa itself was designed in 1956 by Irving Harper. It doesn’t actually look comfortable, does it? And yet it is the quintessential mid century modern sofa.
This is a vector drawing of a beach on the South East Peninsula of St. Kitts Island. It is referenced from this photo I took in 2006: